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Kyrgyzstan gambling dens

August 31st, 2009 at 11:03

The confirmed number of Kyrgyzstan gambling halls is a fact in question. As information from this state, out in the very most interior section of Central Asia, often is difficult to achieve, this may not be too surprising. Whether there are 2 or three authorized gambling halls is the item at issue, maybe not in fact the most earth-shattering bit of information that we do not have.

What no doubt will be true, as it is of most of the ex-USSR nations, and definitely truthful of those in Asia, is that there no doubt will be many more not legal and backdoor gambling halls. The switch to legalized gaming did not energize all the underground casinos to come away from the illegal into the legal. So, the contention regarding the number of Kyrgyzstan’s casinos is a minor one at best: how many approved gambling dens is the item we’re seeking to resolve here.

We are aware that located in Bishkek, the capital metropolis, there is the Casino Las Vegas (a stunningly unique name, don’t you think?), which has both table games and one armed bandits. We will additionally see both the Casino Bishkek and the Xanadu Casino. Each of these have 26 slot machine games and 11 table games, split amongst roulette, chemin de fer, and poker. Given the amazing similarity in the square footage and setup of these two Kyrgyzstan gambling halls, it may be even more bizarre to find that the casinos are at the same address. This appears most bewildering, so we can perhaps state that the list of Kyrgyzstan’s gambling halls, at least the authorized ones, is limited to two members, 1 of them having adjusted their name a short time ago.

The nation, in common with many of the ex-Soviet Union, has undergone something of a rapid conversion to commercialism. The Wild East, you might say, to allude to the lawless conditions of the Wild West a century and a half ago.

Kyrgyzstan’s gambling halls are in fact worth visiting, therefore, as a bit of anthropological analysis, to see dollars being wagered as a type of collective one-upmanship, the conspicuous consumption that Thorstein Veblen wrote about in nineteeth century usa.

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